NAMM wrap up. Sunday. By Patrick O’Heffernan
(Los Angeles) Sundays at NAMM start late – or early, depending on your point of view. As the clock struck midnight, Sunday concerts began on the hotel stages with Gene Navarro, Goodnight Sunrise and Russ Parish. After a break for sleep, things cranked up again at 8 am for the Best in Show Awards Breakfast, where products that caught the prize panel’s eye were honored in the categories Best Add-Ons, Gotta Stock it, Companies to Watch and Best in Show company. The vendor booths fired up at 9 am with demonstrations led sonically by the Incredible Drum Corps Snare try-out, plus demos of new guitars, DJ controllers, mixers and microphones. Outside, Earth Harp installation artist William Close was playing from a platform in front of ACCNorth with his instrument’s strings stretched up to the roof of the main Convention building. The ethereal sounds floated through the plazas and into the din of the technology booths, calming, rather than adding to the cacophony. Inside the building and the adjacent hotels were lectures on The Future of Music, [Read More]